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  1. Find James Newton Howard discography, albums and singles on AllMusic. Alive [Music from the Original Motion Picture Soundtrack] Hollywood The Fugitive [Original Motion Picture Soundtrack] Elektra The Devil's Advocate [Original Score] TVT
  2. Devil's Advocate: Music From The Motion Picture的话题 · · · · · · (全部 条) 什么是话题 无论是一部作品、一个人,还是一件事,都往往可以衍生出许多不同的话题。.
  3. Aug 02,  · The music, by James Newton Howard, is eerie, atmospheric, and yet has room for some very emotive material too. The opening track is right out of a Hitchcock film with the music assaulting the audience with a 3 note motif that reminds me of the Close Encounters "beacon"- only a heck more aggressive/5(72).
  4. James Newton Howard: James Newton Howard: 1: The Sheffield Track Record / The Sheffield Drum Record: Robbie Buchanan, James Newton Howard, Lennie Castro, Nathan East, Mike Landau, Carlos Vega, Jim Keltner & Ron Tutt: 3: James Newton Howard & Friends: James Newton Howard & Friends: 2: Howard, Kernis: Violin Concertos / Tovey.
  5. James Newton Howard: Scoring Recordist: The Devil's Advocate [Original Score] James Newton Howard: Engineer: Titanic [Music from the Motion Picture] James Horner: Assistant Engineer, Mixing Reconstruction:
  6. Discover releases, reviews, track listings, recommendations, and more about James Newton Howard - Devil's Advocate (Music From The Motion Picture) at Discogs. Complete your James Newton Howard collection.
  7. Devil's Advocate: (James Newton Howard) While Al Pacino had portrayed his fair share of sick individuals throughout the years, 's Devil's Advocate gave the actor the opportunity to enthusiastically play none other than the fiery Satan. Taylor Hackford's film, based originally on Andrew Niederman's novel, takes a very straight forward approach to Satan's activities on earth, placing him.
  8. James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral ibpuquacalkyolanminafahabscompsas.co Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic.

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